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#TAYLOR SWIFT 1989 FULL ALBUM TORRENT MOVIE#
On 1989 it’s as if the messages that have always been close to her heart have gone from the tattered pages of her journal to a Hollywood movie screen. Although “Welcome to New York” has already been criticized by the likes of El-P, it’s actually quite the well rounded pop song – and it proves that underneath all of the boldness and bombast, Swift still maintains the candid style of lyricism that made fans fall in love with her in the first place. One slyly noted verse that is sure to go unnoticed – “You can want who you want – boys and boys and girls and girls” hints at an equal rights statement something we’re not used to hearing from the typically neutral, soft-spoken songstress. “It’s a new soundtrack, I could dance to this beat forever more” basically serves as a 1989 mission statement, and it’s undeniably fun as well. Everything about the opener is designed to draw you in, with a chanted chorus that features one of the catchiest melodies on the album. This is as fresh and rejuvenated as Taylor Swift has ever sounded, and there isn’t a single moment on here that exists as a stale retread of hackneyed endeavors.įrom the opening minute of “Welcome to New York”, it’s clear that 1989 is meant to be huge.
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#TAYLOR SWIFT 1989 FULL ALBUM TORRENT FREE#
If you can imagine an album full of Swift’s best pop moments, free of the country influences that have routinely shackled her creative limits, then you’ll have a good idea of what 1989 is all about. She easily could have dwelled in country-pop territory for another decade and sold millions of records, but her decision to start anew might end up launching her to even more stratospheric heights – something that is borderline unfathomable when you consider the ridiculous extent to which she is already celebrated. However, 1989 is a complete reinvention of Swift’s empire. It’s an exciting prospect when you consider that she’s already reached that milestone twice, because at their respective times that’s exactly what Fearless and Speak Now were. Make no mistake – this is the best album of Taylor Swift’s career. Here, Taylor Swift finally embraces what she was meant to do…and she knocks it out of the goddamn park. The forays into pop were a resounding success, but they were too few and far between to sustain Red as a true “pop album.” Thankfully, that’s where 1989 comes in. The problem with Red was that it tried to keep feet in both camps, resulting in a predictably uneven listening experience. From her self-titled debut up to the present day, a gradual evolution from country to all-out pop has been occurring, and all of the growing pains associated with it came to a head on 2012’s Red. Some people even went as far as to say that she didn’t belong in the country music awards – a notion that became hard to disagree with by the time “We Are Never Ever Getting Back Together” hit the airwaves. Taylor Swift’s balancing act between country and pop has been the subject of much scrutiny over the years. Review Summary: Taylor Swift finally embraces what she was meant to do.